The 21st century has seen a diverse range of films win the Best Picture Oscar, with each film offering its own unique perspective and storytelling style. In a recent article by Emilia Martino on arrobajuarez.com, the Best Picture winners of the 21st century are ranked from worst to best, providing insights into the evolving definition of greatness in Hollywood and the relationship between the film industry and the times.
The rankings include films such as 'Crash', 'Green Book', 'The King's Speech', 'Argo', 'The Shape of Water', 'Birdman', 'Spotlight', 'Parasite', 'Moonlight', and more. Each film is accompanied by a brief critique and analysis, highlighting their strengths and weaknesses.
'Crash' is ranked as the worst Best Picture winner of the 21st century, with the article noting its heavy-handed approach to exploring racial tensions. 'Green Book', which won the award in 2018, is criticized for its oversimplified portrayal of race relations. 'The King's Speech' is praised for its performances but criticized for its conventional storytelling.
'Argo', directed by Ben Affleck, is considered a solid film based on a true story. 'The Shape of Water', directed by Guillermo del Toro, is described as an unusual romance between a deaf woman and a fish-man. 'Birdman', directed by Alejandro González Iñárritu, is a critical comedy about the film industry.
'Spotlight', directed by Tom McCarthy, tackles the issue of child abuse within the Catholic Church. 'Parasite', directed by Bong Joon-Ho, is hailed as the best film of the 21st century, blending entertainment with social commentary. 'Moonlight', directed by Barry Jenkins, is praised for its personal exploration of identity and sexuality.
The article provides a comprehensive analysis of each film, offering readers a deeper understanding of their impact and significance. It highlights the strengths and weaknesses of each Best Picture winner, shedding light on the evolving landscape of Hollywood and the changing tastes of audiences.
According to a recent article by Stephen Johnson on Lifehacker, the perception of good and bad movies can change over time. Most Best Picture winners are considered 'good' movies, but their status can fluctuate based on the cultural context in which they are viewed. For example, the film 'Crash' went from being hailed as the best to being criticized as trash in less than 20 years. Similarly, 'Freddy Got Fingered', initially panned by critics, is now seen through a 2024 lens as a taut and fascinating thriller/psychological exploration.
'Freddy Got Fingered', directed by William Friedkin, is described as a hard-hitting crime drama/neo-noir set among the BDSM crowd in pre-AIDS New York. While it was initially hated by critics, it is now seen as ahead of its time, paving the way for the wave of anti-comedy that followed.
The article on Lifehacker highlights the evolving nature of film appreciation and the importance of considering movies within their cultural and historical context. It emphasizes that the perception of a film can change over time, and what may have been considered a 'bad' movie in the past can be reevaluated and appreciated for its unique qualities.
Overall, the ranking of Best Picture winners of the 21st century provides a snapshot of the evolving definition of greatness in Hollywood, while the article on Lifehacker reminds us that our understanding and appreciation of films can also evolve over time.
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