Sofia Coppola, the director of 'Priscilla,' recently expressed her views on the challenges she faces in making big studio movies and her preference for independent filmmaking. In an interview with IndieWire, Coppola stated that she would never be able to make a big studio movie due to the lack of creative freedom and the challenges that come with having a lot of input from studio executives [5edfbd16]. She emphasized the importance of showing a female perspective in her films and the difficulty of getting the tone right in 'Priscilla' to avoid it feeling creepy [5edfbd16]. Coppola also discussed the gender disparity in financing, noting that men often receive hundreds of millions of dollars while she fights for a fraction of that amount [5edfbd16]. Despite the challenges, Coppola embraces the freedom of independent filmmaking and believes in the increasing presence of women directors, although it is still a small percentage [5edfbd16].
Coppola's latest film, 'Priscilla,' faced budget cuts before production, resulting in a shortened shoot schedule. The film, with a budget of less than $20 million, had to compromise by shooting digitally [b47eb1f9]. Coppola expressed frustration with the gender disparity in financing and the struggles faced by younger women in the industry [b47eb1f9].
In addition to discussing her experiences with big studio movies, Coppola revealed that her five-hour Apple TV+ series based on Edith Wharton's novel 'The Custom of the Country' was canceled because Apple executives did not want to invest in a show with an unlikable female lead [b47eb1f9]. Despite the cancellation, Apple has another Wharton adaptation, 'The Buccaneers,' set for release next month [b47eb1f9].
Overall, Sofia Coppola's recent comments shed light on her struggles with big studio movies and her preference for independent filmmaking, as well as her concerns about gender disparity in financing and the challenges faced by women in the industry. Despite these challenges, Coppola remains committed to telling stories from a female perspective and believes in the increasing presence of women directors in the industry.
In a separate interview with adobo Magazine, emerging Filipina cinematographer Satya Sullivan discussed the creative decisions behind her award-winning music video 'Stripes' [49e2e70e]. The video won Best Cinematography at the Prague Music Video Awards and was also an official selection at the 2024 Atlanta Film Festival. Sullivan explained the various creative choices made throughout the video, including the use of grainy visuals, subtle camera movements, car scenes, color choices, and lighting techniques. She also shared her journey from the Philippines to Rhode Island and offered advice to aspiring filmmakers. Sullivan emphasized the importance of hard work and seizing opportunities. The interview provides insights into the thought process and technical aspects of creating a visually stunning music video.
The inclusion of Satya Sullivan's interview adds another perspective to the story, highlighting the achievements and creative decisions of an emerging filmmaker. It showcases the talent and dedication of Sullivan, as well as the recognition she has received for her work in cinematography. This addition expands the narrative to encompass the experiences and successes of filmmakers beyond Sofia Coppola, providing a more comprehensive view of the industry and its challenges and triumphs.
Filmmaker Rima Das, known for her films 'Village Rockstars' and 'Bulbul Can Sing,' discusses her approach to filmmaking. She emphasizes that stories come to her and characters make their presence felt, leading her to write and shoot without a bound script. Das works with improvisation and constantly changes things while shooting. She is currently completing post-production on the Assamese film 'Village Rockstars: Echoing Tales,' a sequel to her previous film. Despite the success of her films, Das does not feel pressure and focuses on the art of filmmaking and personal growth. She acknowledges the importance of marketing her movies well and has learned that a separate budget is needed for marketing. Das, who is a one-woman crew, expresses interest in gaining technical knowledge about cinematography. She prefers working with non-actors as they trust and surrender to her vision. However, she acknowledges the limitations of pushing non-actors compared to professional actors. Das concludes by noting that it is no longer possible to work on a tight budget like she did for 'Village Rockstars' due to the increased costs of production and marketing.
Rima Das' insights into her approach to filmmaking add another layer to the story, showcasing the unique creative process of a filmmaker who works without a bound script and embraces improvisation. Das' focus on personal growth and the art of filmmaking highlights the passion and dedication that drives her work. Her acknowledgment of the importance of marketing and the need for a separate budget for it demonstrates her understanding of the business side of filmmaking. Das' preference for working with non-actors and her interest in gaining technical knowledge about cinematography further enrich the narrative, providing a glimpse into her artistic vision and aspirations. Overall, the inclusion of Rima Das' perspective adds depth and diversity to the story, offering readers a more comprehensive understanding of the filmmaking industry and the experiences of different filmmakers.
Acclaimed filmmaker Shekhar Kapur discussed fear and creativity at the Cinevesture International Film Festival. He revealed battling panic every morning and stated that fear drives him and is a huge form of creativity. Kapur also expressed regret over his daughter's mental health issues, attributing them to his separation from her mother. He is preparing to introduce his daughter as an actor in the sequel to his film 'Masoom.' Kapur's daughter, Kaveri, expressed excitement about exploring the darker aspects of human nature through acting. The discussion took place on March 31, 2024.
Priyanka Chopra, a Bollywood actor, opened up about facing rejections in Hollywood despite her successful career in India. She shared her struggles on a podcast, mentioning instances where people refused to meet her. Chopra viewed the rejections as humbling experiences and remained focused on her work. She ventured into Hollywood with the TV series 'Quantico' in 2015 and explored the international music scene. When she first moved to the US, she felt scared and lonely, calling it the 'darkest' phase of her life. Despite the difficulties, she maintained her resilience and learned to ride the wave instead of fighting it. Chopra had previously mentioned that she moved to the West as she felt cornered in Bollywood and had some issues with people in the industry. She is currently working on the film 'Head of State' [9b6a123b].
Sharon Stone, the 66-year-old Basic Instinct star, opened up about her mental health struggles in an emotional interview. She emphasized that we are currently experiencing a global mental health crisis, with one in 10 people struggling. Stone believes that individuals have the power to help themselves and that it starts with standing strong, getting back up after setbacks, and offering instant forgiveness to oneself. She received a Peace Summit Award at the World Summit of the Nobel Peace Laureates in 2013. Stone has largely left Hollywood behind and now spends most of her time painting. She stated that she would only return to acting for a role that is powerful and meaningful.
Ariana Madix, a reality TV star, has created new boundaries to protect her mental health after splitting from Tom Sandoval last year. She has learned to manage her anxiety better and is proud of herself for prioritizing her mental health. Lala Kent criticized Ariana for refusing to film with Tom, calling her behavior 'bull****' [17535efa].
The inclusion of Ariana Madix's experience adds another dimension to the story, highlighting the importance of mental health in the entertainment industry. Madix's decision to prioritize her well-being after a difficult breakup showcases the challenges faced by individuals in the public eye and the need for self-care. The criticism she received from Lala Kent also raises questions about the pressures and expectations placed on reality TV stars. This addition further emphasizes the theme of mental health and its impact on the lives of those in the entertainment industry, providing a more comprehensive understanding of the topic.
Tara Judah, a film critic and writer, reflects on her search for female friendship that aligns with the Hollywood portrayal. In an article for The Guardian, she shares her realization that she is more like the characters in European arthouse films rather than the Hollywood ideal. Judah recounts her attempts to make her interests social and organize group activities, but lasting bonds didn't form. She struggled to find her people in her 20s and 30s, and now in her 40s, she has embraced being on her own and finds solace in solitude. Judah's personal journey highlights the complexities of female friendship and the importance of embracing one's true self. Her perspective adds another layer to the story, offering a nuanced exploration of the challenges and growth that can come from deviating from societal expectations.
Actor Zoe Saldaña emphasizes the significance of film producers who appreciate creativity during the Cannes Film Festival. Saldaña, who stars in the new Jacques Audiard musical comedy 'Emilia Perez,' believes that films thrive when producers foster creativity [712c7b44].
Kamala Avila-Salmon, head of inclusive content at Lionsgate, aims to address the inclusivity problem in Hollywood by creating a creative economy that allows for more attentive storytelling. She launched Story Spark, an online tool that promotes inclusivity in scripts and hiring choices. The tool aims to challenge writers and filmmakers to create their most audacious work possible. Avila-Salmon believes that inclusive stories are not only more commercial but also have a greater impact on audiences. Story Spark has been tested on 300 features at Lionsgate and externally, and it has shown a strong correlation between inclusion and creative team diversity. Avila-Salmon emphasizes the importance of representation and authenticity in storytelling, as well as the need to diversify the executive ranks in the industry. She believes that AI can be a tool in the creative process but should not replace human creativity. Avila-Salmon aims to broaden the commercial appeal of projects by providing different entry points for diverse audiences.