The Cercle d’Art des Travailleurs de Plantation Congolaise (CATPC) is a collective of thirty plantation workers from the Democratic Republic of Congo (DRC), founded in 2014 by René Ngongo and initiated by Renzo Martens. Their work, which critiques plantation labor, aims to create a reparative economy that reclaims ancestral practices. In 2024, they presented their art at the 60th Venice Biennale, showcasing their commitment to addressing the legacy of colonial exploitation through artistic expression [2512778a].
Currently, CATPC is exhibiting at the Van Abbemuseum, furthering their mission to decolonize museums and plantations. Their projects have enabled them to buy back 200 hectares of land, promoting regenerative agriculture and community development. This initiative not only supports local farmers but also emphasizes the importance of solidarity and collaboration with institutions that have historically benefited from colonial practices [2512778a].
In February 2024, a significant milestone was achieved when the Virginia Museum of Fine Arts approved the temporary restitution of the Balot sculpture to Lusanga. This act symbolizes a step towards reparations and highlights the ongoing efforts to address historical injustices [2512778a].
The CATPC's work is a vital part of a broader movement advocating for reparative economies, which seek to rectify the damages caused by colonialism and exploitative labor practices. Their approach combines art and activism, aiming to inspire change and foster a more equitable future for communities affected by the plantation economy [2512778a].