A new book by Erik Gustafsson titled 'A House Made of Clay' showcases his experimental approach to photography, blending analogue and digital techniques. The book, published by Loose Joints, features a collection of photographs that challenge the boundaries of the medium and offer a unique perspective on everyday life [a7277f6b].
Gustafsson's creative process involves manipulating images in unexpected ways, using the darkroom as a camera and adding layers of light during the printmaking process. This approach results in photographs that blur the line between reality and abstraction, creating a warm and introspective portrayal of the world.
The book includes both traditional photographs and manipulated imagery, offering a comprehensive exploration of Gustafsson's artistic vision. His influences, which include photographers Nan Goldin, Hiromix, Wolfgang Tillmans, Anders Edström, Gerhard Richter, and Gunther Förg, as well as artists Mark Rothko and Hedda Sterne, are evident in his work.
Gustafsson's intuitive creative process often involves rediscovering and reworking prints over time, adding depth and complexity to his images. 'A House Made of Clay' is a testament to his experimental and innovative approach to photography, pushing the boundaries of the medium and inviting viewers to question the nature of perception and representation.
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